Season 3

Omit Needless Words

Season 3, Episode 16

In this last episode of our season we explore the writing rule omit needless words. Jessica talks about revision through the four seasons of story. We chat about the importance of listening to the work, allowing for discovery through play, trusting our gut reaction and following our instincts. Also, Julia Child, dreams, Seamus Heaney and what leads us to this: who I am as a writer. All this and more.

Season 3

What Branches Above Us and Spreads Below

Season 3, Episode 15

What branches above us and spreads below: How two poets connect with the oak tree.

Catherine shares the story behind her poem “Oak” from The Celery Forest and Jessica shares the story behind her poem “On Being a Tree” from The Thing with Feathers. We talk about the thin line between the living and dead, dreams, ancestors, mothers, air-dancing and what it is to be inside a song.

Season 3

Hidden Passages & the Energizing Spin of Spring

Season 3, Episode 14

Circles, beginnings, awakenings and bursts. Catherine reads her poem “Chthonic” from Her Red Hair Rises with the Wings of Insects. We explore a poem’s soundscape and how poems communicate with each other. Catherine talks about how the colour red is key to her work and Jessica talks about how ideas move towards us or away from us to find a home. We explore cycles and season and what thoughts are with us when we’re writing. Also process as art and writing by hand.

Season 3

The Otherworldly

Season 3, Episode 13

The Otherworldly: The ease and unease embedded in transformation. We explore fairy trees, the wee folk, thorns, blooms and portals. Also, secret gardens, hums and hummingbirds and the real estate of the poet. Catherine reads an excerpt from her second novel, The Most Cunning Heart, and Jessica reads her poem “If She Had a Secret Garden” from The Thing with Feathers. What is it to travel further into the self? Plus connections, relationships and how stories help us to see and be seen.

Season 3

Turning Inward

Season 3, Episode 11

How does poetry transport us to other places? We explore inwardness through Gwendolyn MacEwen’s poems “Dark Pines Under Water” and “Invocations” and talk about how poems are vessels for holding mysteries and untold stories. We share the impact MacEwen’s poetry has had on our creative journeys, outer/inner worlds, what’s creepy and/or triggering, and how what we’re called to share comes through a full body response. Tom Thompson, discomfort, calling the voice up—all this and more.

Season 3

Looping Back to Begin

Season 3, Episode 10

Celery trees, human-watchers—we start with Catherine’s poem “What Birds They Were” and explore other eerie things. Then we explore about how it is we find our way through poetry to link the real and the unreal. We chat about the impact art galleries have had on our creative process— where life and art intersect—and how what inspires us has its own time line to surface. This was the case for Jessica’s forthcoming book, Bernice and the Georgian Bay Gold.

Season 3

How Birds Inspire Us and Fly Into Our Work

Season 3, Episode 9

We talk about the connection between birds and poetic process. Catherine shares her poem “The Lifting” along with its backstory. Jessica shares the Christi Belcourt poem “In Neither Hope Nor Despair, Birds Fly.” We talk about how poetry invites us into a pause and takes us to profound places. We finish with Catherine’s bird poem “What Birds They Were” from The Celery Forest. Through air and motion, we take flight!

Season 3

Dwelling in Possibility

Season 3, Episode 8

What holds the lessons we’ve learned over the years, what reaches out—a call to action or a pause—the path to possibility continues. We explore Emily Dickinson’s “I Dwell in Possibility” and Jessica shares her poem “When She Found Her Voice.” We chat about signs, connections, portals and encounters.